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Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Francofonia (2015)


A tour of the Louvre serves as a meditation on art. The film also explores how the museum avoided being plundered during the Nazi occupation of France, and depicts the ghost of Napoleon wandering among the exhibits. Directed by Alexander Sokurov.

Marina Abramovic: The Artist Is Present (2012)


A documentary that follows the Serbian performance artist as she prepares for a retrospective of her work at The Museum of Modern Art in New York.

Exit Through the Gift Shop (2010)


The story of how an eccentric French shop-keeper and amateur film-maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner. The film contains footage of Banksy, Shephard Fairey, Invader and many of the world's most infamous graffiti artists at work.

Nude (2017)


"NUDE" - a feature-length documentary - explores perceptions of nudity in art by chronicling the creative process of fashion photographer David Bellemere. Commissioned by NU Muses founder Steve Shaw to shoot a fine art calendar of nude photographs to debut at Art Basel in Miami, Bellemere's unique methods and visual style are examined. The film also looks at the creative and business aspirations of Shaw, plus how social media shapes the lives of today's young models.

Obey Giant (2017)


A film profiling the life and work of artist Shepard Fairey, going deep into the world of street art and its role in politics and pop culture. Obey Giant follows Fairey's rise from his roots in punk rock and skateboarding, to his role as one of the most well-known and influential street artists in the world - through his iconic Obama "HOPE" poster and the controversy that surrounds it.

For No Good Reason (2012)



Experience 15 years in the life of acclaimed illustrator Ralph Steadman, whose surreal, often confrontational artwork is frequently associated with Gonzo journalist Hunter S. Thompson thanks to such books as Fear and Loathing in Las Vegas and The Curse of Lono. A look back at Steadman's remarkable career offers a glimpse into his vivid imagination as interviews with Johnny Depp, Terry Gilliam, Richard E. Grant, Tim Robbins and others offer insight into the man behind the legend. Meanwhile, Steadman watches as his drawings are brought to life through the magic of animation for the very first time.

The First Monday in May (2016)



The First Monday in May follows the creation of The Metropolitan Museum of Art's most attended fashion exhibition in history, "China: Through The Looking Glass," an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton. With unprecedented access, filmmaker Andrew Rossi captures the collusion of high fashion and celebrity at the Met Gala, one of the biggest global fashion events chaired every year by Vogue editor in chief Anna Wintour. Featuring a cast of renowned artists in many fields (including filmmaker Wong Kar Wai and fashion designers Karl Lagerfeld, Jean Paul Gaultier and John Galliano) as well as a host of contemporary pop icons like Rihanna, the movie dives into the debate about whether fashion should be viewed as art.

Burlesque: Heart of the Glitter Tribe (2017)



BURLESQUE: HEART OF THE GLITTER TRIBE is a documentary feature about the passion and personalities at the heart of today's new wave of burlesque. On stage and in candid conversation, twelve of today's hottest performers reveal the naked truth about an exotic world where artifice is a route to authenticity and pretending to be someone else is the ultimate journey to become yourself. These burlesquers put it all on the line in performances that are sexy, funny, elegant and outrageous - and they bare more than just their bodies as they discuss their artistic vision, their financial struggles, the misconceptions that infuriate them and the community that sustains them.

The Man Who Stole Banksy (2018)



It is 2007. Banksy and his team enter Bethlehem and the occupied territories of Palestine and start to leave their signature artwork across the West Bank walls. The anonymous, pacifist street artist and the country scarred by war on a constant search for consensus and solidarity: it should have been love at first sight. But something went wrong. Among the artworks Banksy and his team left in the streets of Bethlehem, one in particular, the mural of an Israeli soldier asking a donkey for its papers incites fury: it's one thing to enter the territory and start working without even introducing yourself to the community, but it's quite another to depict them as asses for all the world to see. Local taxi driver Walid steps in and with the support of the community and a water-jet stone cutter cuts out the offending wall. His declared aim: to put it on Ebay and sell it to the highest bidder. We follow the journey of that big piece of concrete from the dusty streets of Bethlehem, across the ocean, to posh western auction houses, where it is put on sale to private collectors. In a sense, that wall is our central character and through it we discover a much larger story, that of a secret art market of walls, stolen from around the world.


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